Micah threw out a link to a great New York Times piece on Wendell Berry. The NYTimes piece linked to this … Mr. Berry was the Jefferson Lecturer for the National Endowment for the Humanities. It’s longer than an average magazine article, but it’s so worth it.
A couple parts have been rattling around in my brain. The first, where Berry quotes from Howards End, speaks of the inspiration and wonder of living a life of connectedness and scale:
It is the vice of a vulgar mind to be thrilled by bigness, to think that a thousand square miles are a thousand times more wonderful than one square mile . . . That is not imagination. No, it kills it. . . . Your universities? Oh, yes, you have learned men who collect . . . facts, and facts, and empires of facts. But which of them will rekindle the light within?
Learning to love the intricate details of a simple life is something I need more practice with. Which leads to another part of the lecture that really inspires me to do this. Berry proposes that “high art” debases itself by excluding the “making of the human household upon the earth”:
No doubt there always will be some people willing to do anything at all that is economically or technologically possible, who look upon the world and its creatures without affection and therefore as exploitable without limit. Against that limitlessness, in which we foresee assuredly our ruin, we have only our ancient effort to define ourselves as human and humane. But this ages-long, imperfect, unendable attempt, with its magnificent record, we have virtually disowned by assigning it to the ever more subordinate set of school subjects we call “arts and humanities” or, for short, “culture.” Culture, so isolated, is seen either as a dead-end academic profession or as a mainly useless acquisition to be displayed and appreciated “for its own sake.” This definition of culture as “high culture” actually debases it, as it debases also the presumably low culture that is excluded: the arts, for example, of land use, life support, healing, housekeeping, homemaking …
… But I would insist that the economic arts are just as honorably and authentically refinable as the fine arts. And so I am nominating economy for an equal standing among the arts and humanities. I mean, not economics, but economy, the making of the human household upon the earth: the arts of adapting kindly the many human households to the earth’s many ecosystems and human neighborhoods. This is the economy that the most public and influential economists never talk about, the economy that is the primary vocation and responsibility of every one of us.